Barbara O'Neill

Barbara O’Neill is an online student of Egyptology with the University of Manchester. She has lived and taught in Egypt and the Middle East, where she still resides

Islamic items from Egypt in the Tareq Ragab Museum, Kuwait. By Barbara O’Neill


    The Tareq Ragab Museum, Kuwait opened in 1980 primarily to house a vast private collection of Islamic art and calligraphy.  Dar El Cid (Image 1) the exhibition hall of the museum is home to a rare, privately-owned set of David Roberts Lithographs of Egypt, Nubia and the Holy Land. While its focus is  [more…]

Edition - December, 2011

Hatshepsut, King of Egypt (1479–1458 BC)

Hatshepsut, King of Egypt (1479–1458 BC)

By Barbara O’Neill. Published on Egyptological, December 7th 2011, Magazine Edition 3.   “There’s a world of difference between truth and facts. Facts can obscure the truth” (Maya Angelou)   In the Beginning Most people first learn about Hatshepsut on discovering her elegant mortuary temple at Deir el Bahri. Some visitors to the site may  [more…]

Edition - September, 2011

Figure 14. bHn dog beneath chair. Tomb of Nebamun. Photgraph by P. Gorgori

Eternal Companions – The Creatures Who Could Speak to God

Animals were a ritually charged symbol of life, lavishly represented in Egypt’s literature, arts, and crafts. They were believed to be creatures of the gods with the ability to communicate directly with a range of deities. Indeed, animal vocalisation was perceived as a secret language understood by the gods. The prominence of animals within Egyptian elite culture however, did not result in the animal loving traditions which exist today. Animal necropolises throughout Egypt bear witness to the fact that many creatures, including those we now value as domestic pets, were routinely strangled mummified and presented as votive offerings to gods with which the animals were associated. [more…]

Edition - June, 2011

Reflections of Eternity – An Overview on Egyptian Mirrors from Prehistory to the New Kingdom

Reflections of Eternity – An Overview on Egyptian Mirrors from Prehistory to the New Kingdom

With a culture far removed in time and space from our own, why are aspects of Egyptian art both unexpectedly familiar and yet strangely exotic? Tomb scenes depict idealised individuals surrounded by personal belongings, which often includes mirrors and items such as cosmetic containers. It seems from the inclusion of such personal items that a ‘perfect’ appearance both in life and in death was of great importance to ancient Egyptians. [more…]